{"version":"1.0","provider_name":"Fronteira Livre","provider_url":"https:\/\/fronteiralivre.com.br\/es","author_name":"Reda\u00e7\u00e3o","author_url":"https:\/\/fronteiralivre.com.br\/es\/author\/redacao\/","title":"Um g\u00eanio do drama social moderno: Ken Loach | Fronteira Livre","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hYYt8bWEfx\"><a href=\"https:\/\/fronteiralivre.com.br\/es\/um-genio-do-drama-social-moderno-ken-loach\/\">Um g\u00eanio do drama social moderno: Ken Loach<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/fronteiralivre.com.br\/es\/um-genio-do-drama-social-moderno-ken-loach\/embed\/#?secret=hYYt8bWEfx\" width=\"600\" height=\"338\" title=\"&#8220;Um g\u00eanio do drama social moderno: Ken Loach&#8221; &#8212; Fronteira Livre\" data-secret=\"hYYt8bWEfx\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/fronteiralivre.com.br\/es\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/fronteiralivre.com.br\/es\/wp-content\/uploads\/2026\/01\/boitempo-4-1.jpg","thumbnail_width":1140,"thumbnail_height":568,"description":"Por\u00a0Ricardo Antunes &#8211; Opini\u00e3o [Aten\u00e7\u00e3o, spoilers na pista\u00a0] Escrevo as primeiras notas deste artigo recorrendo \u00e0 mem\u00f3ria, uma vez que me encontro em atividade no exterior e, por uma coincid\u00eancia especial, acabo de presenciar uma cena t\u00e3o inimagin\u00e1vel, quanto memor\u00e1vel. Como fa\u00e7o h\u00e1 muitos anos, no in\u00edcio de novembro deste ano, participei de uma Confer\u00eancia [&hellip;]"}